CD: The Feeling, "Twelve Stop and Home"
 Twelve Stop and Home isn't just the name of The Feeling's debut album or a reference to the Piccadilly line that they sing about in classic Beatles style on "Blue Piccadilly."  It's also a way of noting the progression of the album's tracks--twelve in all.  The construction, like that of the train, is the same throughout: technically precise and rarely daring mechanics, upbeat melodies and lyrics, and '80s rhythm.  But each stop, so to speak, takes the listener to a different location, and every track has its own unique outer twist, like the stuttering calls of "Never Be Lonely," the Queen-like anthems of "I Want You Now," the double-time grind on "Anyone," and the surprising instrumental solos on "Same Old Stuff" and "Helicopter" (metal!).  Dan Gillespie Sells's voice is easy to dig, and his words are summer-easy, but the linchpin of the group is Ciaran Jeremiah, who pulls some experimental britpop out of his keyboards with the erratic "Fill My Little World With Love."
Twelve Stop and Home isn't just the name of The Feeling's debut album or a reference to the Piccadilly line that they sing about in classic Beatles style on "Blue Piccadilly."  It's also a way of noting the progression of the album's tracks--twelve in all.  The construction, like that of the train, is the same throughout: technically precise and rarely daring mechanics, upbeat melodies and lyrics, and '80s rhythm.  But each stop, so to speak, takes the listener to a different location, and every track has its own unique outer twist, like the stuttering calls of "Never Be Lonely," the Queen-like anthems of "I Want You Now," the double-time grind on "Anyone," and the surprising instrumental solos on "Same Old Stuff" and "Helicopter" (metal!).  Dan Gillespie Sells's voice is easy to dig, and his words are summer-easy, but the linchpin of the group is Ciaran Jeremiah, who pulls some experimental britpop out of his keyboards with the erratic "Fill My Little World With Love."

 
 
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